By The Book: Eimear Lawlor Brings History To Life In Her Novels

We’ve read a lot of books about World War 2 from the point of view of people living in the UK or America or even Germany.

But it’s rare that we get one from that is set in Ireland. That’s where Eimear Lawlor steps in with her second novel, Kitty’s War.

We caught up with her to chat about her novel which was inspired by a deathbed confession from her father-in-law, a World War II reservist. It delves deep into the personal battles faced by those caught in the tide of history.

How are you? Tell me a bit about your new book!

I’m doing well, thank you! My new book, Kitty’s War, explores Ireland’s neutrality and the secret internment of German soldiers at The Curragh Camp in County Kildare. Moving back to Ireland from the bombed streets of London in 1941, Kitty navigates love, loss, and survival in Ireland facing decisions that were swept under the carpet. The novel delves into her scarred and disillusioned relationship with her brother Anthony, who returns from fighting in the Spanish Civil War. Their lives become even more complicated by their encounters with a German airman, Markus, whose presence attracts the attention of G2, Irish Military Intelligence, due to her brother’s past. As they confront hidden secrets and societal prejudices, Kitty is faced with a choice to save herself or her brother. Kitty’s War intertwines personal struggle with historical events and offers readers a glimpse of life in Ireland during World War II and revealing the personal and societal impacts of living in 1940s Ireland.

What’s the first thing you do when you sit down to write?

The first thing I do when I sit down to write is drink a really strong cup of coffee. I will quickly look at the internet and see if World War three has started! When I am satisfied there is nothing to worry about, I start my morning of writing. If I can’t begin a new piece of writing, I remind myself of where I left off the day before and organise any research or notes into a writing programme called Scrivener. I used to keep notes here and there but always lost them. This is a one stop shop for organising and keeping all notes.  This active way of reviewing my notes and outlining the current chapter or scene helps me maintain continuity and stay true to the story’s flow. I usually spend the first hour writing and aim to finish before 10 am.

What is that childhood book that you still think about to this day?

Animal Farm. I read it as a child, but it was only when I read it in secondary school for the Intercert (Junior Cert) that I fully grasped its relevance. The allegory of power and corruption is timeless and continues to resonate with me.

Who are three authors that inspire you?

I am a huge fan of Maggie O’Farrell for years and have seen her writing mature and flourish. I feel her witing has grown more nuanced and sophisticated with each book. Elif Shafak’s prose is nothing short of magical, transporting me to far-off lands and feel immersed in a rich tapestry of different cultures and histories. Claire Keegan’s work stands out not only for the important social issues she addresses but also for her masterful use of language. Her prose is crisp and clean, with each word carefully chosen to convey maximum meaning without any excess. Keegan’s storytelling is both powerful and economical, ensuring that every sentence contributes to the overall impact of her narratives.

What’s a book that you’ll never forget?

Claire Keegan’s Small Things Like These. I grew up in the 1980s, and at that time, I felt there was an undertone that made it suffocating and wanted to explore and express myself in London.  However, I returned in 1995 and wouldn’t live anywhere else now.  When I read Claire Keegan she captured the time and essence of the place perfectly. Her prose was beautiful, and she told a very powerful story. Her economy of words must also be admired.

Who is the favourite character you’ve ever written?

Kitty Flinn. She’s complex, resilient, and constantly evolving, which makes her journey fascinating to write. Her struggles and triumphs are deeply personal and relatable, and I love how she navigates the challenges of her world. She is true to herself. She makes friends with ease and people like being around her and she is humble.

If you could go into a book universe, which would it be?

Demelza Poldark, born Demelza Carne, is a character of remarkable strength, intelligence, and resilience in Winston Graham’s “Poldark” series. Rescued from poverty and abuse by Ross Poldark, she transforms from a scrappy, malnourished girl into a beloved wife, mother, and respected member of Cornish society. Demelza’s quick wit and adaptability enable her to navigate the complexities of her new life, while her compassion and loyalty endear her to those around her. Despite numerous hardships, including personal losses and societal disdain, Demelza’s indomitable spirit and unwavering support for Ross shine through, making her a true heroine and a symbol of resilience and love.

 

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What is the best advice you’ve ever been given?

The best advice I’ve ever received is: ‘Write with your heart, edit with your head.’ This reminds me to pour my passion into the initial draft and then refine it with a critical eye. Balancing creativity with analytical thinking has been crucial in crafting compelling and polished stories.

Is there a book you wish you could read again for the first time?

Rebecca by Daphne du Maurier – Its atmospheric setting and complex characters have always captivated me. Her writing is gorgeous and to combine with a good physiological thriller as well kept the me turning the pages.

Forget dinner party guests, what are the three books that define you?

The Kite Runner by Khaled Hosseini – I have read this twice and listened to it on audiobook which the author narrated. It’s a poignant exploration of redemption. The story’s exploration of friendship, betrayal, and forgiveness is deeply moving and the twist at the end was well set up. To Kill a Mockingbird by Harper Lee – I read it many years ago, but its theme of justice and morality were so profoundly impactful and so relevant to the world we are now in. The Nightingale by Kristan Hannah her writing immersive writing and brought me deep into World War Two France.

What is your most prized possession – book-wise or otherwise?

The Thirteenth Tale, the debut novel by Diane Setterfield. It has gorgeous prose that, at times, seemed almost nonsensical, yet somehow felt perfectly right within the context of her writing. It’s a book where I found myself highlighting most of the sentences, captivated by the beauty and uniqueness of her language.

Do you read reviews?

Yes and no. I like when people appreciate my writing, and at first, when I read negative reviews, I felt disappointed. I often learned how to improve my writing from them, but now I understand that ‘One person’s Mozart is another person’s Metallica.’ Everyone has different tastes, and I’ve learned to appreciate the diversity of opinions.

 

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What is your favourite genre to read?

I like historical fiction. In historical fiction, I think the writing is more colourful and descriptive. Unlike modern books, where we all know what a generic supermarket or a fast-food takeaway, they are the same in most countries. But a shop in 18th-century Ireland will look a lot different than a shop in 18th-century New York, so the writer has to add more description to paint the picture. And usually in historical fiction we are told how places and even people smell.   From the bustling markets of medieval towns to the grand houses. I sometimes enjoy a psychological thriller. I have just finished Lisa Jewell’s None of This is True, and it had me gripped from start to finish.

Is it the same one you write?

Yes, I write historical fiction as well. I like research which may be due to my science background, in fact I am forensic about it and need to be accurate because the reader needs to trust you as a writer, and if they feel the facts are wrong, they won’t continue reading. Writing in this genre allows me to immerse myself in different times and places, bringing history to life through my characters. I would also like to write a psychological historical thriller as well.

Where do you get your inspiration?

I get my inspiration from a combination of personal experiences and history from fiction books, TV dramas, or podcasts. I like to read historical books and watch historical dramas. It is usually when I am out walking an idea pop into my head and remember something I heard or saw.

The inspiration for Kitty’s War was a combination of two things. My father-in-law was a reservist in the Irish army during World War Two, and he mentioned a German trying to steal food. I also listened to a documentary on Documentary on One about a German spy in Ireland during World War Two. In my research about Germans in Ireland during World War Two, I found out that crashed Luftwaffe airmen were interned in the Curragh Military Camp.

Kitty’s War by Eimear Lawlor is available nationwide now

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